Atsushi Kitagawara

Atsushi Kitagawara

Architect

Profile

Born in Nagano Prefecture in 1951. He is known for his unique designs that use poetry and music as motifs. He has been involved in many public and private projects, and was the architectural producer for the Japanese Pavilion at the 2015 Milan Expo (over 120 countries participated, and the Japanese Pavilion won the first ever Gold Prize). He has designed the stage for the modern ballet One of a Kind, which has been performed at the Paris Opera and other venues around the world; the urban planning and landscape design for Aria, an industrial park in Yamanashi Prefecture, which won the Good Design Award; and the design for the Mikimoto Pavilion at Basel World.
Until March 2019, he has been teaching at his alma mater, Tokyo University of the Arts, where he has also developed research projects with students such as “Theatrical Urban Planning” and “Ueno Forest Art and Culture City Concept”.
He has received the Architectural Institute of Japan Award, the Togo Murano Award, the Grand Prize of the Architectural Institute of Japan, the Japan Design Award of the American Institute of Architects, the Gold Medal of the Arcasia Architecture Award, the Kenneth F. Brown Pacific Rim Architecture and Culture Award, and the Italy IA Prize. In 2010, he was awarded the Japan Art Institute Prize. 27 of his works, including models and drawings, are in the collection of the Centre Georges Pompidou in Paris (French National Museum of Modern Art).
President of the Kitagawara Institute of Architecture and Urbanism. Professor Emeritus at Tokyo University of the Arts.

Thoughts on Design

My job is to design the way the space and environment around us should be and look, but sometimes I also design invisible things such as programs and strategies.
The power of the unseen is much greater than we expect. Of course, the power of the visible, the form of an entity, is also important. If the space or environment as an entity is not attractive, people will not be impressed no matter how interesting the program is. On the other hand, if the entity has the power to arouse the imagination, it will suggest unexpected programs and uses.
As our bodies and the space around us will never disappear no matter how much information technology advances, we may continue to pursue the appeal of entities.

Representative work

  • 2007 | Keith Haring Museum of Art Key Forest 871228

  • 2007 | Keith Haring Museum of Art Key Forest 871228

Interview (Japanese)

From the exhibition “Secret Source of Inspiration: Designers’ Hidden Sketches and Mockups